Viltrox 75mm f/1.2 vs. Fujinon 90mm f/2: A Portrait Photographer’s Perspective
Enter the Viltrox 75mm f/1.2. Although I was initially skeptical, this recently released “Pro” lens has become my go-to lens, particularly in challenging shooting environments. Here's a closer look at why the Viltrox 75mm has edged out the 90mm f/2 in my day-to-day work, and why both lenses still hold a place in my photography arsenal.
When it comes to headshot photography, the choice of lens has a huge impact the quality and character of the final image. The lens is even more important than the camera body—after all, as the saying goes, "Date your camera body, marry your lenses."
Many portrait and headshot photographers love to go with a “nifty fifty” or something close to that range, and the Fuji 56mm f/1.2 is a very popular choice for good reason. Although it is a fantastic lens, my secret weapon for stunning headshots has been the Fujinon 90mm f/2—a lens that has consistently delivered stunning results.
Enter the Viltrox 75mm f/1.2. Although I was initially skeptical, this recently released “Pro” lens has become my go-to lens, particularly in challenging shooting environments. Here's a closer look at why the Viltrox 75mm has edged out the 90mm f/2 in my day-to-day work, and why both lenses still hold a place in my photography arsenal.
The Challenge of Small Spaces: Why Focal Length Matters
As a headshot photographer, I often find myself working in less-than-ideal conditions—conference rooms, offices, or even small meeting spaces. In these environments, the focal length of a lens becomes crucial.
The longer the focal length, the more you need to step back from your subject to fit them comfortably in the frame. With the Fujinon 90mm f/2, I sometimes found myself pressed up against a wall, struggling to capture the shot I envisioned.
Since I shoot on the Fujifilm X system, which uses an APS-C crop sensor, the effective focal length of these lenses is even longer. On a crop sensor, the focal length is multiplied by 1.5 times, so the 90mm f/2 behaves like a 135mm lens on a full-frame camera, and the 75mm f/1.2 acts like a 112.5mm lens. This crop factor further emphasizes the need for extra room when using longer focal lengths, making the Viltrox 75mm's slightly wider angle of view even more valuable in tight spaces.
The Viltrox 75mm f/1.2, with its full-frame equivalent focal length of 112.5mm, offers a slightly shorter reach compared to the 135mm equivalent of the Fujinon 90mm. This difference might seem minor on paper—just 22.5mm—but in practice, it gives me the crucial extra space I need to compose my shots without feeling cramped. The 75mm still delivers the compression effect I love that is so flattering for capturing faces, but with the added benefit of being more adaptable to confined areas.
Image Quality: The Art of Sharpness, Bokeh, and Rendering
When we talk about image quality in photography, we’re referring to a combination of factors like sharpness, bokeh, and rendering.
Sharpness is all about how well the lens captures fine details. The Fujinon 90mm f/2 has a well-deserved reputation for producing incredibly sharp images, with every strand of hair and every pore rendered in crisp detail.
Bokeh refers to the quality of the out-of-focus areas in a photo. A lens with good bokeh creates a smooth, pleasing blur in the background, which helps to make the subject stand out.
Rendering is a broader term that encompasses how a lens handles colors, contrast, and the overall look and feel of the image.
For years, the Fujinon 90mm f/2 was unmatched in these areas. It’s a lens that produces images with a certain "magic"—a combination of sharpness, beautiful bokeh, and a distinct rendering style that makes portraits truly stand out. I was initially skeptical that the Viltrox 75mm f/1.2 could compete on the same level.
To my surprise, the Viltrox 75mm delivers image quality that rivals the 90mm. The sharpness is excellent, capturing fine details with precision. The bokeh is creamy and smooth, ensuring that the subject is always the focal point of the image. And the overall rendering is stunning, with vibrant colors and contrast that give my headshots a professional and polished look. There’s no noticeable sacrifice in image quality when switching to the Viltrox 75mm.
Build Quality: A Lens Designed to Last
One of the most impressive aspects of the Viltrox 75mm f/1.2 is its build quality. This new “Pro” line of Viltrox lenses, including the 75mm, offers a fit and finish that rivals the native Fuji lenses. The lens feels solid and durable in hand, with a metal construction that exudes quality. It's clear that Viltrox is investing in creating lenses that will stand the test of time and withstand long-term hands-on use. This attention to detail in the design and construction makes the Viltrox 75mm not only a powerful tool for capturing stunning images but also a reliable piece of equipment that I trust in my professional work.
Autofocus: Speed and Precision
Autofocus is a critical feature in any lens, especially for a portrait photographer. When capturing headshots, it’s essential that the lens locks onto the subject’s eyes quickly and accurately, as even the slightest delay or misfocus can result in a less-than-perfect shot.
The Fujinon 90mm f/2 is known for its linear autofocus system, which is one of the fastest and most reliable in Fujifilm’s lineup. It’s a lens that has never let me down in fast-paced environments, where I need to capture a fleeting expression or subtle movement.
The Viltrox 75mm f/1.2, while not boasting the same linear autofocus system, is no slouch in this department. Its autofocus is quick and responsive, allowing me to capture sharp images with confidence. In most scenarios, the difference in autofocus speed between the two lenses is negligible, making the Viltrox 75mm a solid performer in both studio and on-location shoots.
Where the Fujinon 90mm f/2 Still Shines
Despite the advantages of the Viltrox 75mm f/1.2, the Fujinon 90mm f/2 isn’t leaving my kit anytime soon. There are certain situations where the 90mm still reigns supreme, particularly in outdoor natural light photography.
In outdoor settings, where I have more room to move around, the longer focal length of the 90mm becomes an asset rather than a limitation. It allows me to stand farther back from my subject, creating a sense of distance that enhances the natural environment in the frame. Additionally, the 90mm f/2 offers a unique rendering quality—a slight coolness in color temperature and a level of microcontrast detail that adds depth and texture to the image. This "je ne sais quoi" is something I haven’t found in any other lens, and it’s why the 90mm remains my go-to for certain outdoor shoots.
Excellent sharpness and background separation with the Fuji 90mm f/2, shot on Fujifilm X-T5
Conclusion: The New Everyday Favorite
For day-to-day headshot photography, particularly in small, confined spaces, the Viltrox 75mm f/1.2 has become my new favorite lens. It provides the perfect focal length for maneuvering in tight environments while still delivering the compression and image quality that make headshots stand out. The autofocus is reliable, the rendering is beautiful, and the overall performance is on par with the legendary Fujinon 90mm f/2. On top of that, the build quality of the Viltrox 75mm is outstanding, making it a durable and trustworthy addition to my kit.
However, the 90mm f/2 isn’t going anywhere. It still has a special place in my kit for those outdoor shoots where its longer reach and unique rendering qualities shine. In the end, both lenses have their strengths, and having them both allows me to tackle a wide range of photographic challenges with confidence. But for everyday use, the Viltrox 75mm f/1.2 has become my go-to lens, proving that sometimes, a slight change in focal length can make all the difference.
Image quality samples, shot with the excellent Viltrox 75mm f/1.2 Pro on Fuji X-T5
Stay tuned for my next blog post, where I'll dive into the practical differences between using the Fuji X-T4 and X-T5. As a long-time user of both cameras, I’ll share insights on how they stack up in real-world shooting scenarios.
Product Links:
Portrait of an Artist: Professional Photography for Violinist and Suzuki Teacher Trainer Susan McDonald
Professional photography for Susan McDonald was a collaborative journey that was about more than capturing pretty photos: it was about unraveling the layers of a talented musician, violinist, and experienced pedagogue.
I recently had the pleasure of working with Susan McDonald, an incredibly talented violinist, teacher, and passionate Suzuki teacher trainer.
It was a collaborative journey that was about more than capturing pretty photos: it was about unraveling the layers of a talented musician, violinist, and experienced pedagogue.
Artist Portrait of Susan McDonald, photo by Henry David Photography
Photoshoot Planning
Although initially camera shy, Susan's innate love for music became the focal point of our work together.
When it comes to artist profiles and headshots, capturing the essence of the individual is crucial. This was Susan’s first professional photoshoot and she came in feeling more than a little nervous.
Feeling apprehensive about having your photos taken is completely normal. Part of my job as a professional photographer is to help my clients get feeling comfortable before we start taking photos.
Getting to know each other as fellow artists helped Susan relax, and our love for the musical arts set the tone for a relaxed photoshoot. This process started even before we met in the studio. Susan is a great communicator, and after she reached out by email we started to discuss what she was hoping to get out of the session.
She showed me references of musician portraits she liked, sent me a few selfies, and shared with me the headshots she was currently using. I appreciated that she was willing to openly share her insecurities and concerns, because it allowed us to be mindful of these aspects as we planned our photoshoot.
We spoke in detail on how we could improve upon her previous headshots at her session, what she could expect from the editing process that would come after the photoshoot, and how we would best collaboratively execute on her vision, going from concept, to studio, and finally into post-production.
Professional Hair & Makeup
Many people worry about looking too glamorous or not like themselves when they hire a professional makeup artist, and rightly so! Finding a balance between looking your best and still looking like you is really important for professional headshots. It's okay to look a better than usual, but it's not good if you look completely different.
Knowing Susan had this concern, I suggested she work with a makeup artist who understands the importance of keeping things looking authentic.
That's when Alexis B from AB Beauty STL came in. She did a great job with Susan's makeup and hair, making sure it looked just right and stayed true to Susan's genuine self.
Makeup Artist and Stylist Alexis B of AB Beauty STL, putting the final touches on Susan’s hair
Studio Photography
Moving in the studio, we took the time to work together, ensuring that every detail was perfect. We knew how important it was to create timeless images that Susan could use to promote herself as a musician and music educator.
Musician photography requires a unique approach. It's about capturing the artist's passion and talent in a visual medium. As a photographer, my goal was to showcase Susan's skills and dedication to her craft through the images we created together. As a photographer with a classical music background myself, I understood her audience and the messaging that would be resonate best with them.
Susan wanted to be sure we’d capture a range of photos and poses for diverse use cases. Our must-have list included a professional headshot, shots with and without the violin, a performance snapshot, and a full-body shot. We also wanted to capture a variety of vibrant outfit options.
“The collaborative conversation Susan and I shared allowed me to have a thorough understanding of her vision and helped us craft great results.”
Editing and Retouching
Reviewing Susan’s photos, I selected the shots that had the best expressions, those with a sparkle and drama that jumped off the screen and communicated something emotional with the viewer. I wanted to pick only the photos that would leave a lasting impression. A great photo isn’t just about high resolution and good lighting, it needs to connect with the viewer and tell a story about the subject.
Susan was delighted with her photos, even with out any editing. She then chose her favorite shots from among her proofing gallery and I went to work on editing.
We went back and forth with a few rounds of editing until we got each image perfect.
Communication is key: The collaborative conversation Susan and I shared allowed me to have a thorough understanding of her vision and helped us craft great results.
Our multiple rounds of editing allowed us to retouch the photographs to perfection, enhancing her features while keeping the authenticity intact.
Working with Susan McDonald was very artistically rewarding: we were able to capture her natural radiance and essence as a musician and create captivating, timeless images that will undoubtedly help her in her career as a violinist, teacher, and Suzuki teacher trainer.
Investing in professional photography is investing in your future as an artist. A well-crafted image has the power to convey your artistry and professionalism before you even step foot on stage. Take the time to find a photographer who can help bring your vision to life and create compelling images that represent you and your talent.
ERAS Medical Residency Headshots: Requirements and Pro Tips for Success
When Amelia Mangan, a dedicated 4th-year medical student at Saint Louis University, approached me for assistance with her ERAS® headshots, she recognized the importance of a successful headshot in giving her an edge with her Plastic Surgery residency application.
She was explicitly told that if there were two equally qualified candidates, the quality of the headshot would be the determining factor in selecting the winning candidate.
ERAS® Headshot Photos for Medical Residency Applicants
Technical Requirements:
According to ERAS® your photo file needs to be no larger than 150kb, with dimensions of 2.5 inches x 3.5 inches, and a resolution of 150dpi.
It's essential that the image is a recent, full-color photograph snapped within the last six months. The head and shoulders should be in the frame with a light gray or plain white or and uploaded in JPEG format.
Why is it important to get your ERAS® photo correct?
ERAS® Headshot for Medical Residency Applicant
When Amelia Mangan, a dedicated 4th-year medical student at Saint Louis University, approached me for assistance with her ERAS® headshots, she recognized the importance of a successful headshot in giving her an edge with her Plastic Surgery residency application.
She was explicitly told that if there were two equally qualified candidates, the quality of the headshot would be the determining factor in selecting the winning candidate.
Understanding that her headshot could have considerable influence over the evaluation of her applications, she sought out professional assistance to get the highest quality results.
To set herself apart from the competition, she aimed for a headshot that not only captured her unique personality but also radiated professionalism and poise.
When Is the Best Time to Take your Medical Residency Headshot?
Residency programs review applications in October, it’s best that you take your ERAS® photos well in advance of the deadline.
Enlisting Professional Help
To craft a successful ERAS® headshot, it’s important to enlist the help of a professional photographer. Look for a headshot photographer with the experience, equipment and skills needed to guarantee a high-quality image that's perfectly lit and in sharp focus. Come to their studio dressed professionally with a warm and inviting smile, and you will be sure to leave a positive impression on residency program directors.
If you are in the St. Louis area, contact Henry David Photography to schedule your ERAS® headshot session.
Should I have my ERAS® photo retouched?
Absolutely. Retouching is crucial to any successful headshot, as long as it is not overdone. ERAS® encourages that your headshot photo be professionally retouched, as it shows that you take your presentation seriously. Editing and retouching refines your presentation by addressing common touch-ups, including but not limited to: blemish removal, skin smoothing, removing flyaway hairs, color correction, teeth whitening, and more.
First Impressions and the Importance of a Great Headshot
"First impressions are lasting" understates the actual case. The first impression, with startling frequency, is also the final decision.
"First impressions are lasting" understates the actual case. The first impression, with startling frequency, is also the final decision.
-You, Inc.: The Art of Selling Yourself, by Harry Beckwith and Christine K. Clifford
A 2006 study by Janine Willis and Alexander Todorov showed that people make a judgement about a person's likeability, trustworthiness, and competence, in one-tenth of a second. Furthermore, their research confirms that this first impression does not change with time.
In 2016, Vivian Zayas, professor of psychology at Cornell University, and her colleagues found that first impressions were formed simply from looking at a photograph predicted how people felt and thought about the person after a live interaction that took place one month to six months later.
This is an incredibly powerful argument for making sure your headshots are the best they can possibly be.
Headshot Impression Test on Photofeeler.com
I recently discovered Photofeeler.com and I think it’s a fun way to test out what kind of impression your headshot is making. Photofeeler crowdsources votes from real people who will score the photo on metrics like competency, likeability, and influence. Disclaimer: I’m not in any way associated with this service, but I do think it’s a useful tool.
Written by Henry David, St. Louis Headshot and Portrait Photographer
Studio Lighting and Mood
Simple but powerful, small changes in studio lighting can dramatically change the mood of a portrait.
Small changes in studio lighting can dramatically change the mood of a portrait.
I recently had the pleasure of working with author Dr. Tahir Rahman, Associate Professor of Psychiatry at Washington University in St. Louis.
Clamshell Lighting for Commercial Portraiture
Oxford University Press needed an approachable, commercial looking headshot to promote Dr. Rahman’s newest book.
We used a clamshell setup with a soft key light source above the subject’s face (the top part of the “clamshell”), and a broadly curved reflector for the lower part of the shell.
The key light above provides flattering wrap-around light, while the bottom fills in the shadows and smooths out the skin. I often find that adding a hair light opposite the key light adds depth and provides subtle background separation:
Commercial Portrait with Clamshell Lighting (Angler 48 inch BoomBox + Westcott Eyelighter + Gridded Hair Light)
Single Light Dramatic Portrait
By removing the reflector and hair light, we are left with just the key light. Moving the key light to one side of the subject’s face creates a classic Rembrandt lighting setup with deep shadows cast on the other side of the face. Removing a few light modifiers and changing the placement of our key light creates a profoundly different mood:
Single Light Dramatic Portrait (Angler 48 Octobox, feathered)
Post-Production
Lighting is paramount to controlling the mood of a portrait, but we can go one step further with editing and retouching in Photoshop. Black and White conversion, exposure reduction, contrast rebalancing, and detail enhancing all work together to add a sense of mystery and deepen the drama of the portrait:
Black and White Edit, Adobe Photoshop